TEXTUAL EQUIVALENCE
A general overview based on the hallidayan approach to information flow
1. Thematic
structure: theme and rheme
Theme is what the clause is
about. It has two functions: (1)it acts as a points of orientation by
connecting back to previous stretches of discourse and thereby maintaining a
coherent point of view and, (2) it acts as a points of departure by connecting
forward and and contributing to the developmnt of later stretches.
Rheme is what the speaker says about the theme. It is
the goal of discourse. As such , it is the most important elements in the
structure of the clause as a message because it represents the very information
that the speaker wants to convey to the hearer. It is the rheme that fulfils
the communicative purpose of the utterance.
Eg.:
·
Tom likes
travelling
theme rheme
·
Smoking
is dangerous for our health
theme
rheme
·
Our
friend invited us
theme rheme
·
Aristotle though that
the earth was stationary
Theme rheme
·
He believed
this because he felt
theme
rheme
a. Thematic
structure: grammatically vs acceptability
The grammaticaly
of a sentence is things that conform to the linguistic rules or syntactic rules
(Fromkin and Rodman 1998:106). Basically, according to these linguists, the
gramatically is usually considered as the structure of sentence, the order in
which they are combined together to form sentences. A sentence can conform to
the syntactic rule, if it constructs in a grammatical form ( Fromkin and Rodman
1998 :107).
e.g :
·
The
boy found the ball
The sentence must have the
string of words that conform to the rule of syntax, such as subject the boy,
predicate found, object the ball. The predicate is a transitive verb, so it
must need a noun as an object, not an adjective or an adverb after such
predicate. Conversely, an intransitive verb (as the predicate) does not need a
noun (as the object) after such a verb, so it must need an adverb. As provided
by Fromkin and Rodman (1998:107).
·
Disa
slept soundly
Nevertheless, Lyons
(1971:140) describes there are other kinds of acceptability and unacceptability
which have nothing to do with whether an utterance is meaningful or not. In
other words, the grammaticality do not depend on whether the sentence is
meaningful or not (Fromkin and Rodman 1998:108)
b. Thematic
structure marked versus unmarked sequence
According
to Bell (1991), marked theme in English is signaled by predicating, preposing,
clefting or fronting of the theme and combination of these options (other
languages have, of course, different ways of marking theme). Bell (1991) also
distinguishes unmarked and marked theme by giving some examples. He says that
the ‘expected’, ‘unmarked’, ‘unmarkable’ theme of a main clause may be
illustrated by any one of the following examples:
(a)
He bought a new car
(b)
Did he buy a new car?
(c)
What did he buy?
(d)
Buy a new car!
Bell
also gives an example for each category related to marked theme:
·
The dog bit the man, it did.
where
the theme has been pre-posed by repeating it.
There
are, of course, alternative ways of doing this, as shown by the following
examples:
·
The dog, it bit the man
·
It bit the man, the dog did
Ø
Fronted
theme
·
Fronting
of time or place adjunct :
e.g : - On 4th March 1996
- In China
- There hours later
·
Fronting
of object or complement
e.g : - Object : A great deal of publicity the book received in
China
Complemant : Well
publicized the book was
·
Fronting
of predicor
e.g : - They promised to publicize the book in China, and publicize
it they did.
c. A brief
assessment of the Hallidayan position on Theme
Any approach to describing
information flow in natural language will generally recognize that clauses
organized in terms o theme and theme. But, as already noted, different linguist
give different accounts of the way in which theme and theme are realized discourse.
Each account is naturally biased towards the native language of the linguist in
question as other language with which s/ he may be familiar. One of the main
differences between the other Hallidayan and other approaches is that Haalliday
has always insisted that, at least in English.
2. Information
structure : given and new
Given
information represent the common ground between speaker and hearer and gives
the letter a reference point to which she/he can relate new information.
e.g :
·
What
are we doing next week ? We’re swimming
in Paris
Given New
·
What’s
happening next week ? We’re
swimming in Paris
NEW
·
What
are we swimming next week? We’re
swimmimg In Paris
Given New
a. How
are given and new signalled in discourse?
The information systems are those concerned with the organizetion
of the text into units of information. This is expressed in E nglish by the
intonation patters, and it is therefore a feature only of spoken English.
e.g :
// now silver needs to have love //
Given New
// I haven’t seen you for ages //
b. Marked
vs unmarked information structure
Unlike thematic structure (at least in English),
information structure is not realized by the sequencing of elements. It is
realized chiefly by tonicity. In unmarked information structure, the information
focus falls on something other than the theme.
c. Marked
information structure and marked rheme
Hallidayan linguists have
always concentrated on marked theme and do not seem to have considered that a
rheme can also be marked. But the notion of marked rheme may prove helpful in accounting
for the communicative force of some uttarance.
3. The
Pregue School Position on Information Flow : Funcional Sentence Perspective
The main premise in FSP
theory is that the communicative goals of an interaction cause the structure of
a clause or sentence to function in different kinds of perspective. “
Functional sentence perspective”, working with the concepts of the “theme” of a
sentence (that which is spoken about in the sentence) and of the “rheme” (that
which is said about the theme in the sentence).
·
The
tension between word order and communicative function : a proplem in
translation?
Interprative arrangement Linear arrangement
I him used to know
I used to know him
I them wrote to know I wrote to know them
CHAPTER
III
CLOSING
A.
Conclusion
The
terms theme and rheme have been defined according to various criteria: The
theme is often understood as ‘known,’ ‘given,’ ‘previously mentioned,’ or
‘presupposed’ information present in the context, while the rheme is defined as
the negation of these characteristics. Although each of these criteria is
relevant to a certain extent, they nevertheless do not suffice for a proper
definition. For one thing, the terms used in the definition are themselves
imprecise and need clarification. Another problem is that there are numerous
counter examples: in the question-answer pair Who did you see? Your mother, the
mother is known to both of the speakers, but is nevertheless the rheme of the
answer.
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